The Computer's Voice:
From Star Trek to Siri
University of Minnesota Press, 2020
Considering Star Trek, 2001: A Space Odyssey, Her, and more, this book explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment. Going beyond current scholarship on robots and AI to focus on voice-interactive computers, The Computer’s Voice breaks new ground in questions surrounding media, technology, and gender.
Recipient of the 2022 Popular Culture Association Emily Toth Award for Best Single Work in Women's Studies
Death, Identity, and AI in Science Fiction
Lexington Books, 2023
In Robot Suicide: Death, Identity, and AI in Science Fiction, Liz W Faber blends cultural studies, philosophy, sociology, and medical sciences to show how fictional robots hold up a mirror to our cultural perceptions about suicide and can help us rethink real-world policies regarding mental health. For decades, we’ve been asking whether we could make a robot live; but a new question is whether a living robot could make itself die. And if it could, how might we humans react? Suicide is a longstanding taboo in Western culture, particularly in relationship to mental health, marginalized identities, and individual choice. But science fiction offers us space to tackle the taboo by exploring whether and under what circumstances robots—as metaphorical stand-ins for humans—might choose to die. Faber looks at a broad range of science fiction, from classics like The Terminator franchise to recent hits like C. Robert Cargill’s novel Sea of Rust.
Special Issue on Robots & Labor
Popular Culture Studies Journal, 2021
[A]s the essays in this special issue demonstrate, fictional robots are often not just robots; rather, they are also metaphorical portraits of humans, representative of the ways we build systems of oppression and dehumanization. The essays presented here offer a broad array of pop culture research on robots and labor, including analyses of literature, film, television, video games, advertising, music, and fan culture. Using a range of methods and theoretical frameworks, the contributors stretch the definition of labor to include not just the literal workforce but also emotional labor, semantic labor, and the labor of birth. Throughout, they uncover new ideas about humanity’s fraught relationships with technology as well as humanity itself. I have organized these fifteen essays around broad categorizations of analysis: we begin with a theory-driven reflection on robots and labor, followed by six different cultural histories, five in-depth case studies, and finally two essays on artificial intelligence as both production and producer.